Publications

In a fresh reading of Montaigne’s Essais, David Quint portrays the great Renaissance writer as both a literary man and a deeply engaged political thinker concerned with the ethical basis of society and civil discourse. From the first essay, Montaigne places the reader in a world of violent political conflict reminiscent of the French Wars of Religion through which he lived and wrote. Quint shows how a group of interrelated essays, including the famous one on the cannibals of Brazil, explores the confrontation between warring adversaries: a clement or vindictive victor and his suppliant or defiant captive. How can the two be reconciled?

57 essays by André Bazin on Television, 3D, Cinerama and CinemaScope, collected, translated, annotated, and introduced.

One of the most influential Arabic novels of recent times, That Smell is Sonallah Ibrahim’s modernist masterpiece. Composed in the wake of a five-year prison sentence, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Published in 1966, the novel was immediately banned. For this edition, the translator Robyn Creswell has also included an annotated selection of Notes from Prison culled from Ibrahim’s prison diary — a personal archive comprising hundreds of handwritten notes scribbled on Bafra-brand cigarette papers. These writings shed unexpected light on Ibrahim’s groundbreaking novel.

This groundbreaking collection presents for the first time in English a substantial body of poetry that emerges directly from the sublime and often startling world of Jewish mysticism. Taking up Gershom Scholem’s call to plumb the “tremendous poetic potential” concealed in the Kabbalistic tradition, Peter Cole provides dazzling renderings of work composed on three continents over a period of some fifteen hundred years.

Marcel Proust, Virginia Woolf, and Vladimir Nabokov transformed the art of the novel in order to convey the experience of time. Nevertheless, their works have been read as expressions of a desire to transcend time—whether through an epiphany of memory, an immanent moment of being, or a transcendent afterlife. Martin Hägglund takes on these themes but gives them another reading entirely. The fear of time and death does not stem from a desire to transcend time, he argues. On the contrary, it is generated by the investment in temporal life. From this vantage point, Hägglund offers in-depth analyses of Proust’s Recherche, Woolf’s Mrs. Dalloway, and Nabokov’s Ada.