Publications

This book follows key moments in the rise of Hebrew poetry in Eretz-Israel. The book clarifies the literary and political meaning of the “beginning” of literature as it is constituted by the great narratives of Hebrew literature: Zionism, and the settlement of the Land of Israel. The Zionist encounter of with the space of Eretz-Israel is revealed to be a violent one; Hebrew poetry written about it not only represents it but actually takes an active role in its creation. This poetry is understood here as a mechanism for “aesthetic conquest” of space manifested through the poetics and the language of the poetry developing in Eretz-Israel.

Every year hundreds of thousands of pilgrims from all over the world converge on Mecca and its precincts to perform the rituals associated with the Hajj and have been doing so since the seventh century. In this volume, scholars from a range of fields – including history, religion, anthropology, and literature – together tell the story of the Hajj and explain its significance as one of the key events in the Muslim religious calendar. By outlining the parameters of the Hajj from its beginnings to the present day, the contributors have produced a global study that takes in the vast geographies of belief in the world of Islam.

Consorts of the Caliphs is a seventh/thirteenth-century compilation of anecdotes about thirty-eight women who were consorts to those in power, most of them concubines of the early Abbasid caliphs and wives of latter-day caliphs and sultans. This slim but illuminating volume is one of the few surviving texts by the prolific Baghdadi scholar Ibn al-Sa’i, who chronicled the academic and political elites of his city in the final years of the Abbasid dynasty and the period following the cataclysmic Mongol invasion of 656/1258.

Peter Cole has been called “an inspired writer” (The Nation) and “one of the handful of authentic poets of his own American generation” (Harold Bloom). In this, his fourth book of poems, he presents a ramifying vision of human linkage. At the heart of the collection stands the stunning title poem, which brings us into the world of Victor Tausk, a maverick and tragic early disciple of Freud who wrote about one of his patients’ mental inventions — an “influence machine” that controlled his thoughts. In Cole’s symphonic poem, this machine becomes a haunting image for the ways in which tradition and the language of others shape so much of what we think and say.