Biography
I am a theorist of literature from the eighteenth century to the present and of contemporary visual media. Within these timeframes, I study how aesthetic objects depict and mediate interpersonal and transcultural communication. Working in over seven languages, in my academic writing I often return to modernism, its genealogies, and its afterlives. My public-facing essays comment on contemporary American and Eastern European literature, film, and politics. I am a member of the Harvard Society of Fellows and a 2024 Guggenheim Fellow.
My first two books, Flat Protagonists (Oxford, 2016) and Spaces of Feeling (Cornell, 2017) reflect on trans-personal and transcultural communication within the purview of literary studies. My forthcoming third book, It Must Be Possible: Modernity and Transcultural Knowledge (Princeton, 2027), offers an intellectual history of the entanglements of anthropology and comparative literature at the beginning of the twentieth century from the perspectives of ethnically, racially, or (geo)politically marginalized modernist writers. I also recently completed The Maria Janion Reader (Minnesota, 2025), a book-length translation that introduces the Anglophone public to the work of the Polish critical theorist Maria Janion, which was awarded the 2026 Translation Prize from the Modernist Studies Association.
I am currently working on a new monograph, tentatively called Three Essays on Realism, which reconsiders theories of novelistic mimesis through the prism of contemporary literature, as well as on a co-authored volume about comparison across disciplines.